Director Mahesh Narayanan's newest film Malik is a hard-hitting social drama that bears testimony to his talents and offers actor Fahadh Faasil the best platform to showcase his vary as a performer. It revolves round what occurs when the authorities conspire to homicide a charismatic man of the plenty in jail. The storyline offers with delicate points -- akin to communal concord and police brutality -- which show to be its spine.
Efficient writing
The promising plot reaches its potential because the writing is as compelling as might be. Malik opens with a easy but efficient scene that builds an aura across the protagonist whereas giving the viewer a better look into his world. The movie then strikes at an natural tempo and explores the backstories of the characters. The flashback parts, which kind the spine of the film, have come out fairly nicely and add depth to the narrative.
Mom sentiment with a twist
The mom sentiment is normally considered the pillar of business cinema. Mammootty's Massive B is a working example because it explored the bond between the protagonists and their foster mom, performed by Nafisa Ali. Malik isn't any exception however there's a twist within the story because the hero's mom does not likely share cordial relations with him though he adores her so much. This alone makes it distinctive
Easy but efficient romance
Fahadh's scenes along with his lover-turned-wife, performed by Nimisha, hit the precise notes due to the chemistry between the 2. Their shy glances do the speaking, which is extensively considered the hallmark of a superb reel romance.
Common enchantment
Mahesh's earlier directorial enterprise CU Quickly had highlighted the delicate difficulty of flesh commerce by means of the journey of the feminine protagonist. In Malik too, he manages to deliver out the 'human value' of the socio-political points being touched upon, which helps the story cater to a pan-India viewers though it's rooted in Kerala tradition.
The lows
That mentioned, Malik will not be a flawless story by any stretch of the creativeness. A key scene that results in the loss of life of a serious character feels staged and lacks the natural depth wanted to make an influence. The bond between Fahadh and his reel daughter too has not been explored too nicely, which is a pity because it had potential. The pacing too is a bit sluggish at sure factors. These, nevertheless, are usually not main points given the dimensions of the undertaking.
'FaFa' at his finest
Bollywood legend Sanjeev Kumar normally performed characters older than his actual age. With Malik, 'FaFa' has ventured into comparable territory. Whereas his efficiency doesn't really feel as natural as those delivered by 'Hari Bhai', it's arguably the most effective of his profession. 'FaFa' emotes along with his eyes within the jail sequences and internalises the character fairly nicely. He handles the flashback sequences, which characteristic him as a younger man, with ease and leaves an influence along with his reel depth.
Nimisha enhances him fairly nicely and channels the helplessness and rage skilled by Roslin. Joju George, nevertheless, deserved higher as his character type of will get misplaced within the mixture of issues. The remainder of the solid, which incorporates names akin to Vinay Forrt and Salim Kumar, is satisfactory.
First rate technical points
The background rating is likely one of the highlights of Malik because it provides depth to the emotional sequences whereas upping the fun quotient when wanted. The modifying is first rate though a few scenes drag a bit. The motion scenes are fairly sensible. The opposite technical points have been dealt with with competence
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